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Shahnavaz (a
collection of extempore playing of Ahmad Ebadi )
Khoshnavaz (a
collection of Azari and Persian playing of Gholamhosein Bikjeh Khani )
Baharmast (a
collection of barrel shapes of Abulhasan Saba composed for setar)
In 1997, he
entered in the Art university for studying music. There, he learned how to play tar from
Houshang Zarif and in the same year he took part in the private classes
of Hossein Alizadeh. He could be the third in performance and memorizing
the whole work by Mirza Abdullah. He was the first in playing tar and the second
in extempore playing in the first period of the festival for students of
university. Also he was the top in the third festival. |
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In 2004, he
entered inthe Art university for MA majoring the playing of Iranian musical
instrument. There, he learned the basis of music and Iranian Solfej from
Sharif Lotfi. The other works of mine are: the radif book of high
course of Kolonel by Alinaghi Vaziri, Mizan-ol-A'zam book (A part of the works by
Naser Farhangfar), the three volume book under the title of Sorayesh;
in the first volume we can read about the western and Iranian basis, in the
second volume there is the practical teaching of rhythm and in the second volume
there is the teaching of Iranian Solfege. |
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Also he took
note of the complete collection of the works of r Mohamadreza Lotfi
which is not published yet. Performing several concerts and the MA Thesis
through the guidance of Hosein Alizadeh in form of composed singing
concert are the samples of his activities and the composing playing and singing
was done by himself, Now, I'm teaching the Iranian music Radif(tar and setar).
Iranian Solfege, band playing and Iranian orchestra in art university vaziri. |
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Biography
He was born on
(1971) Because He have been interested in music since He was a child, he
started playing on the tombak, piano and setar and singing songs by myself.
After awhile, he learned how to play tar from Jahanbakhsh Saremi. In a short
period of time shojaedin Lashkarlou taught me how to play violin. And about
tombak, first Siamak Banaiee and later Bahman Rajabi guided me in playing it.
Exhilarating
tingle of the everlasting works of the professors lived in the past caused a
feeling of love and joy in him and helped him in writing some of them. Some parts
of those valuable works are published as you can see a description of them below
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